Cardiovista: Detroit Street Photography presents ten photo-essays by local photographers Brian Day, Carlos Diaz, Bruce Harkness, and Tom Stoye. The series, shot over the past five decades, focuses on the photographers' journeys across diverse neighborhoods, from midtown to downtown, from Hamtramck's Poletown to Southwest Detroit's Mexicantown.
Each photographer captures the heartbeat of Detroit through case studies that turn a critical, multi-faceted lens on the Motor City's complex urban and cultural history, and he examines how those histories can impact, sometimes devastatingly, its communities. Their cameras allow us to bear witness to microcosmic realities otherwise unseen or overlooked.
Street photography has proliferated in Detroit and other urban centers since the 1950s. This genre is tied to architectural photography and also to photojournalism in its
socially-conscious, often labor-related subject matter. In Cardiovista, the photographers document the city's bodies, buildings, and boulevards in ways that penetrate all
façades, revealing that the public and the private, labor and leisure, present two sides of the same coin-urban everydayness. Day, Diaz, Harkness, and Stoye operate in the
manner of archivists, anthropologists, social critics, and painters, and their photo-essays communicate four respective, yet collective, views of Motown's story.
The photographers-Brian Day, Carlos Diaz, Bruce Harkness, and Tom Stoye-will be present at the opening reception, which is free and open to the public. A 178-page catalog featuring images in the exhibition and also additional photographs in the series, together with texts on the photo-essays, will be available for purchase on opening night. The book is on sale at the Barnes & Noble Campus Bookstore.
Cardiovista: Detroit Street Photography is curated and organized by Nadja Rottner, Assistant Professor of Art History, University of Michigan-Dearborn, together with students enrolled in the Art History Museum Studies Seminar 2014.
A short preview of the exhibition and more information on the catalogue is available on the UM-Dearborn Fine Arts Facebook site.
Highly esteemed American glass artist Dale Chihuly (b. 1941) is widely acknowledged for his role in promoting the recognition of studio glass as a fine art form. With this work, Chihuly returned to his “pick-up drawing” technique used previously in his Basket series. This time, Chihuly and his team used shard drawings to obtain more colorful compositions and intricate design patterns. The process begins with blowing a bubble and breaking it into shards. Glass threads are fused to the shard pieces with a torch in designs reflecting Navajo Blanket patterns. The detailed shard piece is then surrounded by additional glass threads and laid out on a steel table called a marver. A molten glass form on a blowpipe is then rolled over the shards and threads fusing the pieces together to form the end result, a Soft Cylinder.
---Laura Cotton, Art Curator and Gallery Manager