Exhibition opening reception: Sunday, September 18, 2:00 - 6:00 p.m.
Featured Guest Speaker: Teresa Wontor-Cichy, Research Center at Auschwitz Birkenau State Museum, will begin at 2:15 p.m.
All guests should proceed to the 2nd floor of the Mardigian Library at 2:00 p.m. to hear the featured guest speaker before viewing the exhibition in the gallery.
|1:30-2:00||Guests gather on 2nd floor of Mardigian Library. Refreshments available|
|2:00-2:03||Dr. Jamie Wraight introduces Chancellor Little|
|2:03-2:10||Chancellor Little welcomes guests, gives brief remarks.|
|2:10||Chancellor welcomes Dr. Stan Majewski, Chairman of the Board, The Polish Mission|
|2:10-2:15||Remarks by Dr. Stan Majewski, Chairman of the Board, The Polish Mission|
|2:15||Dr. Stan Majewski, introduces JJ Przewozniak, Curator of Collections, The Polish Mission|
|2:15-2:20||Remarks by JJ Przewozniak and introduction of speaker, Teresa Wontor-Cichy|
|2:20-3:20||Presentation by Teresa Wontor-Cichy|
|3:20-3:45||Q & A with audience|
|3:45-6:00||Exhibit viewing in Berkowitz Gallery|
Forbidden Art tells the emotional story of the illegal artwork created by concentration camp prisoners during WWII. The Alfred Berkowitz Gallery is honored to bring this powerful exhibition, organized by the Auschwitz-Birkenau State Museum and The Polish Mission of the Orchard Lake Schools, to the Dearborn community.
Our imagination of life in Nazi concentration camps is dominated by darkness, delineated by concepts difficult to fully comprehend: slave labor, extreme hunger, roundups, selection, and overwhelming, and after a while normalized, death. The Forbidden Art exhibition brings viewers a new perspective on concentration camp violence. It speaks to us, from the most authentic source, about the power of the human spirit and the ability to endure in the face of abominable conditions.
The exhibition, which is divided into two themes, features high quality reproductions of twenty artworks, many created under the threat of death. The first theme gives viewers a glimpse of daily camp life, and the remaining pieces invite reflection on the role of art as a mental escape. In this sense, art became a survival strategy. It could be a mental respite, a tool for imagining a different world, a gift of appreciation for human kindness that one experienced in a camp, or a way to build or change one’s social position. Art was also a way to document the present world as a testimony and a challenge to the world that would come after. Some of the work exhibited was produced by amateurs and some was created by accomplished artists who continued haunting their audiences with powerful images after the war.
Most of the works reflect the desperate conditions under which they were created, the lack of supplies, and the human need for creative expression to sustain one’s spirit. Our understanding of art is challenged while viewing these illegal works; art ceases to be only a reflection of life, but rather becomes life.
Forbidden Art will be on view from September 18 to December 23 (noon). Gallery hours are Monday-Friday, 9:00-5:00. The exhibition opening reception will be held from 2:00-6:00 P.M. on Sunday, September 18th. Featured Guest Speaker: Teresa Wontor-Cichy, Research Expert from the Auschwitz Birkenau State Museum, will begin at 2:15 on the 2nd floor of the library. Reception is free to the public. Complimentary wine and hors d’oeuvres provided.
Additional gallery presentations and installations include:
Australian glass artist Scott Chaseling (b. 1962) attended the Australian National University's Canberra School of Art in 1995. In a collaborative project with fellow glass artist Klaus Moje, the two artists invented the Australian Roll-Up technique. Their process is quite similar to the traditional Venetian murrini cane pick-up method with one major difference. Chaseling and Moje's concept involves picking up pre-fused panels of glass. This innovative approach allows artists to create carefully controlled designs that are not possible with traditional glassblowing methods. The pre-fused sheets of glass allow varying interior and exterior imagery, precise color placement, and full cross-sections of color, all seen in the skillful craftsmanship of this piece. After picking up the pre-fused panels on a punty, a glass blowing pipe, the final steps to the Australian Roll-Up technique consist of blowing, rolling and manipulating the glass form into a finished standing vessel shape.
---Laura Cotton, Art Curator and Gallery Manager