Cardiovista: Detroit Street Photography presents ten photo-essays by local photographers Brian Day, Carlos Diaz, Bruce Harkness, and Tom Stoye. The series, shot over the past five decades, focuses on the photographers' journeys across diverse neighborhoods, from midtown to downtown, from Hamtramck's Poletown to Southwest Detroit's Mexicantown.
Each photographer captures the heartbeat of Detroit through case studies that turn a critical, multi-faceted lens on the Motor City's complex urban and cultural history, and he examines how those histories can impact, sometimes devastatingly, its communities. Their cameras allow us to bear witness to microcosmic realities otherwise unseen or overlooked.
Street photography has proliferated in Detroit and other urban centers since the 1950s. This genre is tied to architectural photography and also to photojournalism in its
socially-conscious, often labor-related subject matter. In Cardiovista, the photographers document the city's bodies, buildings, and boulevards in ways that penetrate all
façades, revealing that the public and the private, labor and leisure, present two sides of the same coin-urban everydayness. Day, Diaz, Harkness, and Stoye operate in the
manner of archivists, anthropologists, social critics, and painters, and their photo-essays communicate four respective, yet collective, views of Motown's story.
The photographers-Brian Day, Carlos Diaz, Bruce Harkness, and Tom Stoye-will be present at the opening reception, which is free and open to the public. A 178-page catalog
featuring images in the exhibition and also additional photographs in the series, together with texts on the photo-essays, will be available for purchase on opening night.
The book is on sale at the Barnes & Noble Campus Bookstore.
Cardiovista: Detroit Street Photography is curated and organized by Nadja Rottner, Assistant Professor of Art History, University of Michigan-Dearborn, together with students
enrolled in the Art History Museum Studies Seminar 2014.
A short preview of the exhibition and more information on the catalogue is available on the UM-Dearborn Fine Arts Facebook site.
Prisoner of Continuity,
Scott Chaseling (b.1962), n.d.,
Blown, fused glass
Gift of Richard and Louise Abrahams, Collection of UM-Dearborn (2014.1.8), Photograph by Kip Kriigel
Australian glass artist Scott Chaseling (b. 1962) attended the Australian National University’s Canberra School of Art in 1995. In a collaborative project with fellow glass artist Klaus Moje, the two artists invented the Australian Roll-Up technique. Their process is quite similar to the traditional Venetian murrini cane pick-up method with one major difference. Chaseling and Moje’s concept involves picking up pre-fused panels of glass. This innovative approach allows artists to create carefully controlled designs that are not possible with traditional glassblowing methods. The pre-fused sheets of glass allow varying interior and exterior imagery, precise color placement, and full cross-sections of color, all seen in the skillful craftsmanship of this piece. After picking up the pre-fused panels on a punty, a glass blowing pipe, the final steps to the Australian Roll-Up technique consist of blowing, rolling and manipulating the glass form into a finished standing vessel shape.
