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1st Floor Mardigian Library

 Today's Hours: 9:00 a.m. to 9:00 p.m.

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Our Mission

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The Art Collections and Exhibitions Department at the University of Michigan- Dearborn enhances the academic and educational experiences of students, faculty, staff and the general public by offering dynamic educational programming, curating and managing a thriving exhibition program in the Stamelos Gallery Center, making the growing permanent art collection accessible for research, and loaning the collection to other institutions. The department complements and augments university curriculum, engages diverse audiences, facilitates outreach to the community, and supports emerging artists as well as artists from underrepresented groups, by promoting the understanding and appreciation of the visual arts.

painting Two Builders Playing Chess by artist Jacob Lawrence.
Two Builders Playing Chess by Jacob Lawrence
outdoor statue Amalgum by artist Charles William McGee
Amalgum by Charles William McGee
glass artwork More Abundant Chaos by artist Toots Zynsky
More Abundant Chaos by Toots Zynsky

Featured University Art Collection Piece

A dynamic construction scene, a recurring theme in his celebrated
Builders No. 3,

Jacob Lawrence (1917-2000), Serigraph print, 1974
Gift of Gilbert M. Frimet,
Collection of UM-Dearborn (1980.065)
Photographed by Tim Thayer

This powerful serigraph print from the permanent collection was created by Jacob Lawrence (1917-2000), one of this century's most widely acclaimed artists.

Lawrence was born in Atlantic City, New Jersey, but moved to Harlem, New York, at 13. He is among the few painters of his generation who grew up in a Black community, received instruction primarily from Black artists, and was influenced by the experiences of Black individuals.

Lawrence's artwork portrays the lives and struggles of the Black community, capturing their experiences through several series focused on figures such as Toussaint L'Ouverture, Frederick Douglass, and Harriet Tubman, as well as themes related to life in Harlem and the civil rights movement of the 1960s. His style is characterized by vibrant colors and abstract forms.

In the 1940s, during a time of widespread segregation, Lawrence broke racial barriers by becoming the first Black artist whose work was acquired by the Museum of Modern Art in New York City.

He stated, "If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man's continuous struggle to lift his social position and to add dimension to his spiritual being."

Researched and written by:
Julianna Collins, Stamelos Gallery Center former intern, UM-Dearborn art history/museum studies graduate, Class of 2025

Contact Us

  • Stamelos Gallery Center
  • 1st Floor, Mardigian Library, UM-Dearborn
  • 4901 Evergreen Road, Dearborn, MI 48128
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