| Date | |
|---|---|
| Sun Feb 15 | 12 noon – 9 p.m. |
| Mon Feb 16 | 9 a.m. – 9 p.m. |
| Tue Feb 17 | 9 a.m. – 9 p.m. |
| Wed Feb 18 | 9 a.m. – 9 p.m. |
| Thu Feb 19 | 9 a.m. – 9 p.m. |
| Fri Feb 20 | 9 a.m. – 5 p.m. |
| Sat Feb 21 | Closed |
| Sun Feb 22 | 12 noon – 9 p.m. |
| Mon Feb 23 | 9 a.m. – 9 p.m. |
| Tue Feb 24 | 9 a.m. – 9 p.m. |
| Wed Feb 25 | 9 a.m. – 9 p.m. |
| Thu Feb 26 | 9 a.m. – 9 p.m. |
| Fri Feb 27 | 9 a.m. – 5 p.m. |
| Sat Feb 28 | Closed |
| Sun Mar 1 | Closed |
| Mon Mar 2 | 9 a.m. – 5 p.m. |
| Tue Mar 3 | 9 a.m. – 5 p.m. |
| Wed Mar 4 | 9 a.m. – 5 p.m. |
| Thu Mar 5 | 9 a.m. – 5 p.m. |
| Fri Mar 6 | 9 a.m. – 5 p.m. |
| Sat Mar 7 | Closed |
Jacob Lawrence (1917-2000), Serigraph print, 1974
Gift of Gilbert M. Frimet,
Collection of UM-Dearborn (1980.065)
Photographed by Tim Thayer
This powerful serigraph print from the permanent collection was created by Jacob Lawrence (1917-2000), one of this century's most widely acclaimed artists.
Lawrence was born in Atlantic City, New Jersey, but moved to Harlem, New York, at 13. He is among the few painters of his generation who grew up in a Black community, received instruction primarily from Black artists, and was influenced by the experiences of Black individuals.
Lawrence's artwork portrays the lives and struggles of the Black community, capturing their experiences through several series focused on figures such as Toussaint L'Ouverture, Frederick Douglass, and Harriet Tubman, as well as themes related to life in Harlem and the civil rights movement of the 1960s. His style is characterized by vibrant colors and abstract forms.
In the 1940s, during a time of widespread segregation, Lawrence broke racial barriers by becoming the first Black artist whose work was acquired by the Museum of Modern Art in New York City.
He stated, "If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man's continuous struggle to lift his social position and to add dimension to his spiritual being."
Researched and written by:
Julianna Collins, Stamelos Gallery Center former intern, UM-Dearborn art history/museum studies graduate, Class of 2025
