
Hours
| Date | |
|---|---|
| Sun Nov 23 | Closed |
| Mon Nov 24 | 9 a.m. – 5 p.m. |
| Tue Nov 25 | 9 a.m. – 5 p.m. |
| Wed Nov 26 | Closed |
| Thu Nov 27 | Closed |
| Fri Nov 28 | Closed |
| Sat Nov 29 | Closed |
| Sun Nov 30 | 12 noon – 9 p.m. |
| Mon Dec 1 | 9 a.m. – 9 p.m. |
| Tue Dec 2 | 9 a.m. – 9 p.m. |
| Wed Dec 3 | 9 a.m. – 9 p.m. |
| Thu Dec 4 | 9 a.m. – 9 p.m. |
| Fri Dec 5 | 9 a.m. – 5 p.m. |
| Sat Dec 6 | Closed |
| Sun Dec 7 | 12 noon – 9 p.m. |
| Mon Dec 8 | 9 a.m. – 11 p.m. |
| Tue Dec 9 | 9 a.m. – 11 p.m. |
| Wed Dec 10 | 9 a.m. – 11 p.m. |
| Thu Dec 11 | 9 a.m. – 11 p.m. |
| Fri Dec 12 | 9 a.m. – 8 p.m. |
| Sat Dec 13 | 10 a.m. – 5 p.m. |

Jacob Lawrence (1917-2000), Serigraph print, 1974
Gift of Gilbert M. Frimet,
Collection of UM-Dearborn (1980.065)
Photographed by Tim Thayer
This powerful serigraph print from the permanent collection was created by Jacob Lawrence (1917-2000), one of this century's most widely acclaimed artists.
Lawrence was born in Atlantic City, New Jersey, but moved to Harlem, New York, at 13. He is among the few painters of his generation who grew up in a Black community, received instruction primarily from Black artists, and was influenced by the experiences of Black individuals.
Lawrence's artwork portrays the lives and struggles of the Black community, capturing their experiences through several series focused on figures such as Toussaint L'Ouverture, Frederick Douglass, and Harriet Tubman, as well as themes related to life in Harlem and the civil rights movement of the 1960s. His style is characterized by vibrant colors and abstract forms.
In the 1940s, during a time of widespread segregation, Lawrence broke racial barriers by becoming the first Black artist whose work was acquired by the Museum of Modern Art in New York City.
He stated, "If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man's continuous struggle to lift his social position and to add dimension to his spiritual being."
Researched and written by:
Julianna Collins, Stamelos Gallery Center former intern, UM-Dearborn art history/museum studies graduate, Class of 2025