
Hours
| Date | |
|---|---|
| Sun Nov 2 | 12 noon – 9 p.m. |
| Mon Nov 3 | 9 a.m. – 9 p.m. |
| Tue Nov 4 | 9 a.m. – 9 p.m. |
| Wed Nov 5 | 9 a.m. – 9 p.m. |
| Thu Nov 6 | 9 a.m. – 9 p.m. |
| Fri Nov 7 | 9 a.m. – 5 p.m. |
| Sat Nov 8 | Closed |
| Sun Nov 9 | 12 noon – 9 p.m. |
| Mon Nov 10 | 9 a.m. – 9 p.m. |
| Tue Nov 11 | 9 a.m. – 9 p.m. |
| Wed Nov 12 | 9 a.m. – 9 p.m. |
| Thu Nov 13 | 9 a.m. – 9 p.m. |
| Fri Nov 14 | 9 a.m. – 5 p.m. |
| Sat Nov 15 | Closed |
| Sun Nov 16 | 12 noon – 9 p.m. |
| Mon Nov 17 | 9 a.m. – 9 p.m. |
| Tue Nov 18 | 9 a.m. – 9 p.m. |
| Wed Nov 19 | 9 a.m. – 9 p.m. |
| Thu Nov 20 | 9 a.m. – 9 p.m. |
| Fri Nov 21 | 9 a.m. – 5 p.m. |
| Sat Nov 22 | Closed |

Jacob Lawrence (1917-2000), Serigraph print, 1974
Gift of Gilbert M. Frimet,
Collection of UM-Dearborn (1980.065)
Photographed by Tim Thayer
This powerful serigraph print from the permanent collection was created by Jacob Lawrence (1917-2000), one of this century's most widely acclaimed artists.
Lawrence was born in Atlantic City, New Jersey, but moved to Harlem, New York, at 13. He is among the few painters of his generation who grew up in a Black community, received instruction primarily from Black artists, and was influenced by the experiences of Black individuals.
Lawrence's artwork portrays the lives and struggles of the Black community, capturing their experiences through several series focused on figures such as Toussaint L'Ouverture, Frederick Douglass, and Harriet Tubman, as well as themes related to life in Harlem and the civil rights movement of the 1960s. His style is characterized by vibrant colors and abstract forms.
In the 1940s, during a time of widespread segregation, Lawrence broke racial barriers by becoming the first Black artist whose work was acquired by the Museum of Modern Art in New York City.
He stated, "If at times my productions do not express the conventionally beautiful, there is always an effort to express the universal beauty of man's continuous struggle to lift his social position and to add dimension to his spiritual being."
Researched and written by:
Julianna Collins, Stamelos Gallery Center former intern, UM-Dearborn art history/museum studies graduate, Class of 2025