The Stamelos Gallery Center and the Art History Department are together very pleased to present to the University of Michigan- Dearborn campus community, Picturing Places and Spaces: Works of Art from the Stamelos Gallery Center and the University of Michigan Museum of Art.
Since the beginning of the Covid 19 pandemic, people across the world—and in the UM-Dearborn community—have become intensely aware of the spaces of their homes and the mental and spiritual respite offered by the outdoors, whether they be nearby walking paths or public parks. We have started to return to the familiar places and routines of daily life, but many of us dream of traveling again to exciting cities, national parks, or famous sites around the world. In longing for travel, we imagine seeing new worlds or seeing our own worlds with fresh eyes. This exhibition explores both real and imagined places and spaces as depicted by a selection of international, national, and local artists from the sixteenth to the twenty-first centuries.
Picturing Places and Spaces, drawn from the University of Michigan- Dearborn permanent collection, features a selection of prints, paintings and glass ranging in approach from realistic to fantastic, and abstract to expressive. European, Mexican, and American artists, including many from Michigan, are featured. Artworks from a wide variety of renowned artists are displayed including Jacob Lawrence, Romare Bearden, Helen Gerardia, Russell Keeter, Gordon Newton, Grant Fischer, David Huchthausen, and Louise Nobili. Five remarkable Asian paintings and prints, made possible through a generous loan from the University of Michigan Museum of Art, Ann Arbor, are also on view.
The interpretations of lived and conjured worlds are grouped thematically to facilitate the visitor's journey through the gallery. Rather than snapping photos during their travel in this space, we hope exhibition visitors will take with them the varied perspectives offered by the artists in the exhibition.
This exhibition is the culminating experiential learning project of the students enrolled in the Art History Capstone Seminar taught by Professor Susan Erickson during the Fall 2021 semester. In collaboration with Professor Erickson and the Stamelos Gallery Center, the students curated the exhibition, selected the works, designed the exhibition, and researched and wrote about the pieces. The students then participated in an interactive educational opportunity working closely with the Gallery Curator and Registrar to learn incoming loan procedures, gallery preparation, art installation, and lighting in the Stamelos Gallery Center. Participating students are: Lubna Al Nasri; Ethan Arnold; Stephanie Bender; Frank Carter; Nicole Gonzales; Diana Guzman; Mallory Lloyd; Hairaty Mahamadou Alhassane; and Brittanie Sharp.
#107 Fukagawa, Susaki and the Jumantsubo Plain, Hiroshige
Alpine Landscape-Winter Scene, David Huchthausen
Builders No. 3, Jacob LawrenceThe Stamelos Gallery Center is located on the first floor of the Mardigian Library at the University of Michigan-Dearborn. For more information, see below for contact information. Anyone requiring accommodations under the provisions of the Americans with Disabilities Act should contact (313)593-5087 prior to August 29.
Prisoner of Continuity,
Scott Chaseling (b.1962), n.d.,
Blown, fused glass
Gift of Richard and Louise Abrahams, Collection of UM-Dearborn (2014.1.8), Photograph by Kip Kriigel
Australian glass artist Scott Chaseling (b. 1962) attended the Australian National University’s Canberra School of Art in 1995. In a collaborative project with fellow glass artist Klaus Moje, the two artists invented the Australian Roll-Up technique. Their process is quite similar to the traditional Venetian murrini cane pick-up method with one major difference. Chaseling and Moje’s concept involves picking up pre-fused panels of glass. This innovative approach allows artists to create carefully controlled designs that are not possible with traditional glassblowing methods. The pre-fused sheets of glass allow varying interior and exterior imagery, precise color placement, and full cross-sections of color, all seen in the skillful craftsmanship of this piece. After picking up the pre-fused panels on a punty, a glass blowing pipe, the final steps to the Australian Roll-Up technique consist of blowing, rolling and manipulating the glass form into a finished standing vessel shape.
